SOWA OPAC : Biblioteka Główna ASP w Warszawie

Book

In basket

Agnes Martin / Edited by Franes Morris and Tiffany Bell ; With contributions by Marion Ackermann, Rachel Barker, Jacquelynn Baas, Christina Bryan Rosenberger, Briony Fer, Lena Fritsch, Anna Lovatt, Maria Müller-Schareck, Richard Tobin, Rosemarie Trocker. - Reprinted. - London : Tate Publishing, 2017. - 271, [1] strona : ilustracje, fotografie ; 27 cm.

Author

Morris Frances. Redakcja Bell Tiffany. Redakcja Ackermann Marion (1965- ). Autor Barker Rachel. Autor Baas Jacquelynn (1948- ). Autor Rosenberger Christina Bryan (1980- ). Autor Fer Briony. Autor Fritsch Lena. Autor Lovatt Anna. Autor Müller-Schareck Maria. Autor Tobin Richard. Autor Trockel Rosemarie. Autor

Form of Work

Książki Albumy i książki artystyczne Publikacje naukowe

Subject

Martin, Agnes (1912-2004). Agnes Martin Malarki amerykańskie Malarstwo amerykańskie Sztuka minimalistyczna. Ekspresjonizm abstrakcyjny Malarstwo kanadyjskie Malarki kanadyjskie

Genre/Form

Katalogi wystaw Albumy malarskie

Czytelnia

Malarstwo

Availability:

Wypożyczalnia Główna

All copies are currently on loan: sygn. C 11112 MA (1 egz.)

Notes:

General note

First published 2015 (...) on the occasion of the exhibition "Agnes Martin", Tate Modern, London (3 June - 11 October 2015).

First published 2015 (...) on the occasion of the exhibition "Agnes Martin", Kunstsammlung Nordrhein-Westfalen, Düsseldorf (7 November 2015 - 6 March 2016).

First published 2015 (...) on the occasion of the exhibition "Agnes Martin", Los Angeles Country Museum of Art, Los Angeles (24 April - 11 September 2016).

First published 2015 (...) on the occasion of the exhibition "Agnes Martin", Solomon R. Guggenheim Museum, New York (7 October 2016 - 11 January 2017).

Bibliography, etc. note

Indeks.

Bibliografia strony 254-256.

Summary, etc.

Streszczenie: This is the first retrospective of Martin’s work since 1994. Covering the full breadth of her practice, this extensive exhibition will reveal Martin’s early and little known experiments with different media and trace her development from biomorphic abstraction to the mesmerising grid and striped canvases that became her hallmark. [za Tate Modern]