Painting and Experience in Fifteenth Century Italy : A Primer in the Social history of pictorial style

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W koszyku

Painting and Experience in Fifteenth Century Italy : A Primer in the Social history of pictorial style / Michael Baxandall. - Second edition. - Oxford ; New York : Oxford University Press, 1988. - [8], 183 strony, IV strony tablic : ilustracje ; 21 cm.

(Oxford Paperbacks)

Autor

Baxandall Michael (1933-2008). Autor

Forma i typ

Książki Publikacje dydaktyczne Publikacje naukowe

Temat

Malarstwo renesansowe Sztuka i społeczeństwo Artyści i mecenasi. Malarstwo włoskie Historia sztuki europejskiej Historia społeczna. Sztuka renesansowa Renesans Włochy.

Gatunek

Podręczniki akademickie

Status dostępności:

Wypożyczalnia Główna

Są egzemplarze dostępne do wypożyczenia: sygn. B 13029 (1 egz.)

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Tyt. okł.: Painting & experience in fifteenth-century Italy

Uwaga dotycząca bibliografii

Indeks.

Adnotacja wyjaśniająca lub analiza wskazująca

Streszczenie: Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the style of painting in any society reflects the visual skills and habits that evolve out of daily life. Renaissance painting, for example, mirrors the experience of such activities as preaching, dancing, and gauging barrels. The volume includes discussions of a wide variety of painters, including Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Masaccio, Luca Signorelli, Boccaccio, and countless others. Baxandall also defines and illustrates sixteen concepts used by a contemporary critic of painting, thereby assembling the basic equipment needed to explore fifteenth-century art. This new second edition includes an appendix that lists the original Latin and Italian texts referred to throughout the book, providing the reader with all the relevant, authentic sources. It also contains an updated bibliography and a new reproduction of a recently restored painting which replaces the original.