Rembrandt's Orient : West meets East in Dutch art of the seventeenth century

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W koszyku

Rembrandt's Orient : West meets East in Dutch art of the seventeenth century / exhibition: Gary Schwartz ; catalog: Bodo Brinkmann, Gabriel Dette, Michael Philipp, Gary Schwartz ; edited by Bodo Brinkmann, Gabriel Dette, Michael Philipp, Ortrud Westheider ; with contributions by Bodo Brinkmann, Jan de Hond, Gabriel Dette, Corinna Forberg, Susanne Henriette Karau, Michael Philipp, Gary Schwartz, Erik Spaans, Jolanta Talbierska, Roelof van Gelder, Arnoud Vrolijk. - Munich ; London ; New York : Prestel, 2020. - 328 stron : ilustracje kolorowe ; 31 cm.

Temat: Rembrandt Harmenszoon van Rijn (1606-1669) ; Rembrandt's Orient: West Meets East in Dutch Art of the Seventeenth Century (31.10.2020-14.02.2021 ; Bazylea) ; Rembrandt's Orient: West Meets East in Dutch Art of the Seventeenth Century (13.03-27.06.2021 ; Poczdam) ; Sztuka holenderska ; Orientalizm (w sztuce) ; Katalogi wystaw

Czytelnia: Malarstwo

Status dostępności:

Wypożyczalnia Główna

Są egzemplarze dostępne do wypożyczenia: sygn. C 10953 MA (1 egz.)

Strefa uwag:

Uwaga ogólna

Katalog wystawy: Kunstmuseum Basel, 31. Oktober 2020 bis 14. Februar 2021, Museum Barberini, Potsdam, 13. März bis 27. Juni 2021.

Uwaga dotycząca bibliografii

Bibliografia na stronach 312-323.

Adnotacja wyjaśniająca lub analiza wskazująca

Streszczenie: In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time. Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners. The problematic term "Orient" was widely used in Rembrandt's time and will be discussed at great length in this catalogue.